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I’d like to say something insightful about that, but really it’s just business as usual - not the boundaries of legality anymore, but MPAA guesswork, which is about as reliable as puzzling out what’s obscene and assures the erection of similar content guidelines.Yet there’s some odd social politics at work in this film, something about pornography pervading youth society.I preferred when conservatives just called people "mushy liberals." Using the term "virtue signaling" is basically the most dismissive attempt at trivializing any issue that conservatives can't understand is taken seriously by other people.Here is the solicitation/ordering info for the HOTN print version out larter this year.Am I right in thinking that Liam is the only Administrator on here?
Evelyne Axell’s painting is a celebration of female pleasure and desire, unbound by propriety.“An unknown observer is seen travelling through a bleak corridor.At the end of the corridor they see a naked woman, whom they are unable to reach as their trip seems to become increasingly twisted and looped.”—IMDb “storyline” description “An extraordinary exercise in visual polyphony…the pyrotechnic surface is exfoliated with Hegelian relentlessness from an elemental formal core…the many are no less the many for being inescapably the One.”—art historian Sheldon Nodelman Standish Lawder (1936-2014) ascended this May, leaving us to picture him at last among the levitating, heaven-bound denizens of Necrology (1970), one of his best-known and funniest works—a mordant short movie about the afterlife once described by Hollis Frampton as “without doubt, the sickest joke I’ve ever seen on film.” (You Tube it for yourself: laughing gas is often the rarest air.) An educator, image technology innovator, author, historian, and “structuralist” filmmaker extraordinaire, Lawder participated in early studies of psychedelics and phosphene phenomena, married Dadaist pioneer Hans Richter’s daughter Ursula, and wrote The Cubist Cinema, a groundbreaking study of early avant-garde cinema published by Anthology Film Archives in 1975.porno maneuver that firms up the butt and sneaks out just a bit of extra footage below, that I well and truly felt the recurrence of history.“My god,” I thought, having never witnessed such a thing in a ‘mainstream’ theatrical feature, even if just in longshot, “they’re playing by nudie cutie rules!